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Looking Back at Horror Icon Bill Moseley’s 10 Most Memorable Roles

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From the get-go, Bill Moseley proved to be a scene-stealer. With 126 acting credits and counting, the actor has dedicated much of his extensive career to horror. Which means, to our fortune, no shortage of unforgettable characters. Whether it’s a small cameo or a major role, from eccentric to flat out terrifying, Moseley gives it his all every single time.

3 From Hell marks the return of one of Moseley’s most well-regarded characters, so it only makes sense to celebrate by looking back at his most memorable roles so far.


Johnnie – Night of the Living Dead

Moseley often plays morally dubious types, but in this underrated 1990 remake by Tom Savini, he plays nice guy Johnnie. You know, the one who gets to utter the famous line, “They’re coming to get you, Barbara!” Sure, he spends most of his screen time taunting his creeped out sister, but that’s sibling love. When she gets attacked by the first zombie, before anyone is aware there’s a zombie infestation happening, Johnnie rushes to her defense without hesitation. He’s a dependable brother, right until the end.


Officer Ray – The Convent

When pesky college kids try to break into an abandoned and closed off convent, Officers Starkey (Coolio) and Ray catch them and force the kids to turn right back around. Not before plucking a joint off one of the kids and partaking after they’ve left, of course. It might be another cameo spot for Moseley, but it’s another shining example of his comedic chops. He gets to play off of the equally humorous Coolio, amplifying the entertainment factor.


The Magician – The Devil’s Carnival/Alleluia! The Devil’s Carnival

In these Darren Lynn Bousman directed horror musicals, Moseley played demon accomplice and carnie The Magician. The Magician is pretty childlike and peculiar, and throws a bit of a tantrum when the Ticket-Keeper doesn’t select him for an “act.” Shame on the Ticket-Keeper, because The Magician is fun to watch. Unless you’re selected to be his assistant, anyway.


Deadite Captain – Army of Darkness

It’s Ash vs Evil Ash (both Bruce Campbell) in the third act battle of this threequel. Ash leads the frontlines of defense for Team Human while Evil Ash unites and unleashes the Army of Darkness upon them. Any strong leader needs a right-hand man, and for Evil Ash that’s the Deadite Captain. And this Deadite Captain means business, barking out orders like, “Welcome back to the land of the livin’. Now pick up a shovel and get digging!”


Ricky Caldwell – Silent Night, Deadly Night 3: Better Watch Out!

A continuation of Part 2, Moseley takes over the role previously played by Eric “Garbage Day” Freeman. The Santa Claus Killer had been shot down by police and left comatose for years, with a dome affixed over his skull to keep his brains from spilling out. When a doctor uses a blind clairvoyant girl to communicate with Ricky, he wakes from his coma and stalks her. It’s an even stranger sequel than its predecessor, but it’s even weirder in that the brain damage aspect means Moseley plays Ricky in a lowkey way that’s very different from a lot of the characters he plays. Just quiet stalking menace.


Luigi Largo – Repo! The Genetic Opera

In this horror musical, Moseley plays the eldest of the Largo siblings. Often at odds with his father and antagonistic with his siblings, Luigi is arguably the most unstable of the bunch. And certainly, the most violent. He revels in pain and gore, especially inflicting it upon others. Who plays unstable and uninhibited monsters better than Moseley? Bonus: He gets to sing a lot.


Crazy Max – “Holliston”

At Crazy Max’s Discount Store, he’s always trying to wrangle the best deals for his customers! Appearing in 5 episodes, most notably “The Christmas Special,” Crazy Max was a scene-stealer thanks to Moseley’s outlandish and hysterical performance. The accent, the energy, the mannerisms. I miss Holliston, but I also really miss Crazy Max. He earned his moniker.


Otis Driftwood – House 1000 Corpses

The most depraved member of the Firefly clan, Otis is an albino with red eyes and white hair who considers himself an artist. One that likes to mutilate victims and turn them into freakshow art exhibits for Captain Spaulding’s roadside attraction. He also likes to wear the skin of his victims as well. Here, Moseley plays Otis as boisterous and manic, like a theatric preacher delivering a sermon to his flock.


Otis Driftwood – The Devil’s Rejects

I know. This is considered cheating. But hear me out: The Devil’s Rejects is a very different film from its predecessor, and so is the Firefly family. Rob Zombie toned down the cartoonish elements of House in favor of something grittier and more realistic, and Moseley shifted gears accordingly. This Otis is rugged and no longer albino at all. He’s more feral and calculating than before, too, making his depraved proclivities even more disturbing than they already were. It may be the same character, but in many ways, Moseley created something entirely different. Think two sides of the same, warped coin.


Chop Top Sawyer – The Texas Chainsaw Massacre 2

The older brother of Leatherface, Chop Top is a deranged Vietnam vet with a metal plate grafted onto his skull. One that he can’t stop picking. He’s also a bit of a hippie, contributing to one over the top character played to perfection by Moseley in his second ever acting role. From his introductory scene crashing Stretch’s radio station, he grabbed horror fans by the collar and never let go. Dog will hunt, after all.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Six Post-Apocalyptic Thrillers to Watch While You Wait for “Fallout” Season 2

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Despite ancient humans having already overcome several potential doomsday scenarios in real life, post-apocalyptic fiction used to be relatively rare until the invention of the atomic bomb convinced us that the end of the world could be just around the proverbial corner.

Since then, we’ve seen many different stories about the collapse of civilization and the strange societies that might emerge from the rubble, but I’d argue that one of the most interesting of these apocalyptic visions is the post-nuclear America of the iconic Fallout games. A witty satire of American jingoism and cold war shenanigans, it’s honestly baffling that it so long for us to finally see a live-action adaptation of this memorable setting.

Thankfully, Graham Wagner and Geneva Robertson-Dworet’s Fallout TV show isn’t just a great adaptation – it’s also an incredibly fun standalone story that makes the most of its post-apocalyptic worldbuilding. And since fans are going to have to wait a while to see the much-anticipated second season, we’ve decided to come up with a list highlighting six post-apocalyptic thrillers to watch if you’re still craving more Fallout!

As usual, don’t forget to comment below with your own apocalyptic favorites if you think we missed a particularly fun one. And while it’s not on the list, I’d also like to give a shout-out to The Hughes Brothers’ underrated post-apocalyptic action flick The Book of Eli – which I recently covered in its own article.

With that out of the way, onto the list…


6. The Divide (2011)

Xavier Gens may be best known for his memorable contribution to the New French Extremity movement – with the eerily prescient Frontière(s) – but the filmmaker is also responsible for a handful of underrated thrillers that flew under the radar despite being legitimately solid films. One of the most interesting of these flicks is 2011’s The Divide, a single-location exercise in claustrophobic tension.

Telling the story of a group of New Yorkers who find themselves trapped in a bomb shelter after a surprise nuclear attack, this dark thriller is more interested in the ensuing social chaos than effects-heavy physical destruction. And while critics at the time were horrified by the bleak story and cynical characters, I think this mean streak is precisely what makes The Divide worth watching.


5. The Day After (1983)

One of the highest-rated TV films of all time, ABC’s The Day After is one of the scariest movies ever made despite being more of a speculative docu-drama than an actual genre flick. Following an ensemble of families, doctors and scientists as they deal with the horrific aftermath of all-out nuclear war, this radioactive cautionary tale was vital in convincing real-world politicians to review their policies about nuclear deterrence.

In fact, the film is even credited with scaring President Ronald Reagan into changing his mind about expanding the United States’ nuclear arsenal, with this new stance eventually leading to a treaty with the Soviet Union. With a story this powerful, I think it’s safe to say that The Day After is a must watch for Fallout fans interested in the more down-to-earth elements of the apocalypse.


4. The Postman (1997)

If I had a nickel for each unfairly maligned post-apocalyptic epic starring Kevin Costner that was released in the 90s, I’d have two nickels – which isn’t a lot, but it’s weird that it happened twice. And while Waterworld has since seen a resurgence in popularity with fans defending it as a bizarrely expensive B-movie, I haven’t seen a lot of discussion surrounding 1997’s more serious vision of a fallen America, The Postman.

Following Costner (who also directed the flick) as a post-apocalyptic nomad who begins to rebuild America by pretending to be a member of the newly reformed postal service, this David Brin adaptation is consistently fascinating – especially if you view the story as a cynical fairy-tale, which was Costner’s original intention.

And while the flick suffers from some goofy dialogue and a bloated runtime, it makes up for this by having directly inspired Hideo Kojima’s Death Stranding.


3. Turbo Kid (2015)

TURBO KID | via Epic Pictures

Turbo Kid may have been billed as an indie Mad Max with bicycles instead of cars, but François Simard, Anouk Whissell and Yoann-Karl Whissell’s comedic throwback to the post-apocalyptic future of 1997 is much more than meets the eye. From quirky characters to madly creative designs, the flick rises above nostalgia bait by being a legitimately fun time even if you don’t get the copious amounts of ’80s and ’90s references.

And despite the horror-inspired ultraviolence that colors the frequent action scenes as we follow a young comic-book fan deluding himself into thinking that he’s a superhero, it’s the childlike sense of wonder that really makes this a treat for cinephiles. It’s just a shame that we’re still waiting on the sequel that was announced back in 2016…


2. Six-String Samurai (1998)

A lo-fi homage to spaghetti westerns and classic samurai films – not to mention the golden age of rock ‘n roll – Six-String Samurai is a must-watch for those who appreciate weird cinema. While I’ve already written about the madly creative vibes that make this such an entertaining flick, I think it’s worth repeating just in case some of you have yet to give this musical fever dream a try.

And appropriately enough for this list, the film was also a source of inspiration for the 3D Fallout games – especially Obsidian’s fan favorite New Vegas. The game even includes a New Vegas Samurai achievement (unlocked by killing enemies with a katana) with a vault-boy illustration modeled after the film’s rendition of Buddy Holly.


1. A Boy and His Dog (1975)

The grisly post-apocalyptic comedy that inspired the original Fallout games, L.Q. Jones’ adaptation of Harlan Ellison’s novella is just as shocking today as it was back in ’75. Telling the story of a teenage scavenger who travels the wastelands of 2024 America alongside his telepathic canine companion, A Boy and His Dog feels like a Heavy Metal comic brought to life.

While the film’s rampant misogyny and brutal violence make it tough to revisit under modern sensibilities, it’s still a landmark in post-apocalyptic cinema and one hell of a memorable ride. Not only that, but the flick also inspired the creation of Fallout’s most beloved NPC, the ever-loyal Dogmeat.

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